Archive for Edvard Munch

“Some Source of Elixir”: Leonard Baskin’s Artist Portraits

Posted in Fine & Decorative Arts, Liz Hager, Printmaking with tags , , , , , , on May 1, 2010 by Liz Hager

By LIZ HAGER

Leonard Baskin, Wiliam Blake, 1962
Etching, 45 x 37.5 cm

VR’s recent post on “The Beautiful Vagabonds: Birds in Art” prompted my renewed interest in Leonard Baskin. Those crows were just the tip of the iceberg!

Leonard Baskin, Edvard Munch, 1964
Etching, 30 x 45 cm

Baskin (1922-2000) first came into public view in 1952 as a printmaker. His creative expression was deeply influenced by rabinical training, a creative kinship with William Blake, and Gothic and early Renaissance art. Given these, perhaps it was inevitable that he would stake out a territory in his art very much in opposition to the reigning style of the time, Abstract Expressionism. And though Baskin went on to become a reknown sculptor, his stark black and white prints remain for me most emblematic of his distinctive legacy.

Leonard Baskin, Thomas Eakins, 1964
Etching, 45 x 33.5 cm

Baskin’s prints call forth a figurative world filled with introspection and brooding, with pain, transformation and, ultimately redemption. Even his choice of medium was ruled by this cosmos, for prints are made by incising a wound upon the block or plate. Baskin evoked the commonality of our suffering in endless ways, even through the most benign of subject matter.

Leonard Baskin, Gericault, 1969
Etching, 42.5 x 35 cm

Leonard Baskin, Mathias Grünewald, 1969
Etching, 45 x 37.5 cm

His close friend, poet Ted Hughes, is particularly eloquent on the subject:

This startling, sinister beauty, characteristic of all his works, cannot easily be called “content.” Yet it is something more than style, something other than the masterful technical expertise that gives his image the foot-poundage of its striking power and penetration. The subject matter of his image may shock us, and his phenomenal technique may overpower us, but this other thing does not attack in any way. It summons us very quietly. But more and more strongly. In the end it makes us seek his work out as if we needed it, and makes us cherish it, as some source of elixir, long after more documentary or photographic evidence of “our common suffering” has become a sad blur.

—Ted Hughes, “The Hanged Man and the Dragonfly,” (from The Complete Prints of Leonard Baskin: A Catalogue Raisonne 1948-1983)

Leonard Baskin, Self Portrait, 1951
Woodcut, 52.4 x 46.5 cm

Wider Connections

Baskin biography

Cornell University—Artifex: Leonard Baskin and the Gehanna Press
Smith College—“Leonard Baskin’s Images of Woman”

Art on the Horizon: 2010 Exhibitions Calendar

Posted in Bay Area Art Scene, Contemporary Art, Drawing, Female Artists, Fine & Decorative Arts, Liz Hager, Painting, Photography, Textiles with tags , , , , , , , , , , , , , , , , on January 2, 2010 by Liz Hager

By LIZ HAGER

Welcome to a new year of art.  Here we give you a small sampling of the exhibits to open in major museums (US) in 2010. If you needed an excuse to travel this year, here it is. Mark your calendars and feast your eyes!

NB: It’s not an exhaustive survey (and purposely does not include shows already opened), so let us know what we’ve missed through comments section.

Larry Sultan, Denise Hale, 2007/9, c-print.

January

“An Autobiography of the San Francisco Bay Area, Part 2: The Future Lasts Forever”—SF Cameraworks, Jan. 7–April 17.

“Long Play: Bruce Connor” SF MoMA, Jan. 16–May 23.

“The View from Here”—SF MOMA, Jan. 16–June 27.

“The Drawings of Bronzino,” The Metropolitan (New York), Jan. 20—April 18.

Miroslav Tichý—Untitled photograph.

“Miroslav Tichý” and “Atget: Archivist of Paris”—International Center of Photography (New York), Jan. 29–May 9.

February

“Playing with Pictures: The Art of Victorian Photocollage”—The Metropolitan (New York),  Feb. 2—May 9.

Malian textile.

Rhythm and Hues: Cloth and Culture of Mali” —Museum of Craft and Folk Art (SF),  Feb. 5–May 2.

“By a Thread”—San Jose Institute of Contemporary Art (San Jose, CA), Feb. 6–May 15.

“Wayne Thiebaud: 70 Years of Painting”—San Jose Museum of Art (CA), Feb. 16–July 3.

William Kentridge, Drawing for Stereoscope 1998–99.

“William Kentridge: Five Themes”—MoMA (New York), Feb. 24–May 17.

“Poetic License: The Fiber Art of Joan Schulze”—San Jose Museum of Quilts and Textiles, Feb. 16–May 9.

“Abstract Resistance”—Walker Art Center (Minneapolis), Feb. 27–May 23.

John Singleton Copley, Watson and the Shark, 1778, oil on canvas.

“American Stories: Paintings of Everyday Life, 1765–1915”—LACMA (Los Angeles), Feb. 28–May 23.

“The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700”—National Gallery (Washington, DC), Feb. 28–May 31.

Josef Albers, Homage to a Square: Glow, 1966, oil on canvas.

“Joseph Albers: Innovation & Inspiration”—Hirshhorn Museum & Sculpture Garden—Feb.11–April 11.

March

“Stripes”—Seattle Art Museum, March 6–May 8.

“What’s It All Mean: William T. Wiley in Retrospective” —Berkeley Art Museum (Univ of California campus), March 17–July 18.

Hendrick Avercamp—A Winter Scene, ca. 1615-1619, oil on panel

“Hendrick Avercamp: The Little Ice Age”—National Gallery (Washington, DC), March 21–July 5.

“Epic India: Scenes from the Ramayana,” The Metropolitan (New York), March 31—Sept. 19.

“Building the Medieval World: Architecture in Illuminated Manuscripts”—The Getty Center (Los Angeles), March 2–May 16.

April

James Ensor, The Assassin, 1888, etching with gouache.

“James Ensor and George Baselitz: Graphic Works”—Seattle Art Museum, April 10–Oct. 24.

“Henri Cartier-Bresson: The Modern Century”—MoMA (New York), April 11–June 28.

“Ted Muehling Selects: Lobmeyr Glass from the Permanent Collection”—The Cooper Hewitt (New York), April 23–Fall.

Ellsworth Kelly—Cyclamen, 1964/65, pencil on paper.

“Plants, Flowers and Fruit: Ellsworth Kelly Lithographs”—Norton Simon Museum (Los Angeles), April 23–August 23.

May

Lucienne Day, Helix (textile design), 1970.

“Art by the Yard: Women Design Mid-Century Britain”—The Textile Museum (Washington, DC), May 15–Sept. 12.

“Gods of Angkor: Bronzes from the National Museum of Cambodia”—Freer Gallery (Washington, DC), May 15–Jan. 23, 2011.

“Yves Klein: With the Void, Full Powers”—Hirshhorn Museum & Sculpture Garden (Washington, DC), May 20–Sept. 12. In conjunction with the Walker Art Center, see November.

Renior, Whistler, Monet.

“Birth of Impressionism: Masterpieces from the Musée d’Orsay”—de Young Museum (SF), May 22–Sept. 6.

June

“Hiroshige: Visions of Japan”—Norton Simon Museum (Los Angeles), June 4–Jan. 17, 2011.

“Arshile Gorky Retrospective”—Musuem of Contemporary Art (Los Angeles), June 6–Sept. 20.

“Engaged Observers: Documentary Photography since the Sixties”—The Getty Center (Los Angeles), June 29–Nov.14.

July

Henri Matisse—Bathers by a River (three versions), 1910-1916.

“Matisse: Radical Reinvention”—MoMA (New York), July 18–Oct. 11

“Edvard Munch: Master Prints”—National Gallery (Washington, DC), July 31–October 31, 2010

August

“Robert Irwin: Slant/Light/Volume”—The Walker Art Center (Minneapolis), August 6–Nov. 21.

“Leo Villareal”—San Jose Museum of Art (CA), August 21–Jan. 9, 2011.

September

“Latin American: Light & Space”—Museum of Contemporary Art (Los Angeles), Sept. 12–Jan. 1, 2011.

“Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d’Orsay”—de Young Museum (SF), Sept. 25, –Jan. 18, 2011.

October

Goya, The Anglers, 1799, brush and brown wash on paper.

“The Spanish Manner: Drawings from Ribera to Goya”—The Frick (New York), Oct 5–Jan. 9, 2011

“Colors of the Oasis: Central Asian Ikat”—The Textile Museum (Washington, DC), October 16–March 13, 2011.

“Guillermo Kuitca: Everything—Paintings and Works on Paper, 1980–2008”—Hirshhorn Museum & Sculpture Garden, Oct. 21–Jan.16, 2011.

November

Yves Klein, Untitled Anthropometry (ANT 100), 1960.

“Yves Klein: With the Void, Full Powers” The Walker Art Center (Minneapolis), Oct. 23–Feb. 13, 2011. In conjunction with the Hirshhorn, see May.


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