Venetian Red in Berlin: The Path of the Wall is a Work of Art
By LIZ HAGER
Since the Berlin Wall came down in 1989, points along its former path are marked by ceremonious memorials, public facilitators of enduring collective remembrance. Still other segments have been marked by a benign path—two parallel lines of cobblestones—embedded in the asphalt or earth. If you didn’t know better, you might think you had stumbled fortuitously upon a site work by Andy Goldsworthy or Richard Long. In fact, this path is a work of art. Beyond marking the past, it embodies, like all great works of art, a powerful axiom of the cosmos. Already wearing a mantle of living earth, the cobblestones remind us that dust irrevocably returns to dust.